I was inspired by my brother’s podcast, Does Anyone Really Need to Hear This? (listen to the latest episode here) to begin regularly reporting on what I’m watching, reading, and listening to. But since the blog format is less tolerant of long-windedness than the podcast format, I am going to focus on just one of these today—on the three movies I watched this past weekend, to be exact.
- Logan. I may have mentioned before that I’m a regular platelet donor and that one of my favorite parts about donating (aside from knowing that I’m helping to save people’s lives) is getting to watch a movie while tucked under one or more electric blankets. Last Thursday, I chose to watch Logan, the first X-Men movie—indeed, the first Marvel movie—to have Oscar hopes. I’m always a little hesitant to watch violent movies while donating because it’s hard to escape or even look away from a particularly gruesome scene when I’m strapped to a bed, but even though this R-rated film was very violent (more than I expected), I’m glad I watched it. Probably the most striking feature of Logan is how well it captures the artistic trends and cultural anxieties of 2017. The setting—a not-too-distant, not-quite-apocalyptic future (technology still works, but things are quickly falling apart, especially along the US/Mexico border)—reminded me of The Walking Dead and even more of its borderland spinoff Fear the Walking Dead. Fears about genetic experimentation devoid of human conscience were represented in the character Laura, basically an 11-year-old female Wolverine, who, in her silent and deadpan (and occasionally delighted) observation of the “normal” world, reminded me of Eleven from Stranger Things. The cinematography made the whole world look hot and tired, and the music (especially the Johnny Cash song in the credits) added to the weary and foreboding tone. In spite of the cynicism of both the characters and the general tone, the movie still had the heart of a more traditional Marvel film, and I nearly cried at the end. I had always thought of Wolverine as one of the least interesting X-Men, but, like many viewers of this startling film, I’ve done a complete reversal on that opinion.
- Jaws. One of our local theaters was showing this 1975 classic last week, and I saw it Friday night. It was my first time seeing it in many years, and it was both gorier (they blew up a shark!) and better than I remembered. John Williams’s score, though sometimes over the top, is a classic of his early style. The acting is fantastic, the writing is straightforward yet understated, and even though the special effects are not what they would be today, the pacing of the film contributes to a dramatic tension that never lets up. I’m kind of a sucker for male bonding stories, so I really like the camaraderie (and tension—more tension) among the three men who go out to hunt down the shark. It’s a classic seafaring story. And now that I’ve used the word “classic” three times in one paragraph, I think I’ve made my point, so I’ll move on.
- Moonlight. On Saturday night, I finally watched the real Best Picture winner of 2017. I can’t comment on whether it’s better or worse than La La Land; the movies are too different. But I can say that it’s very good. And although it couldn’t be more diametrically opposed to Jaws in every way, Moonlight, too, has some great dramatic tension. I think I may have been holding my breath for the last 20 minutes of the movie as I watched the main character and his old high school friend (and lover? That’s what he wants to find out) conversationally dance around and around the topic neither of them wants to broach. The score of this movie is also excellent, and the camera work and lighting, combined with the bright colors of many of the buildings in Miami, make everything look not cheerful but lurid and sad, in keeping with the story. And Maharshala Ali deserved that Best Supporting Actor win, even though he’s only in the first third of the film.
If you’ve seen any of these movies, let me know what you thought. Next week I’ll be back with what I’m reading.